According to Bunuel, surrealists didn't consider themselves terrorists and they fight with society through scandals Bunuel, Bunuel went to spend a few days at the house of Dali, a fellow Spaniard, and told him of a dream he'd had, in which a cloud sliced the moon in half, "like a razor blade slicing through an eye. Dali countered with his own dream about a hand crawling with ants. They wrote the screenplay together, and Bunuel directed, taking only a few days and borrowing the budget from his mother Bunuel, Surrealists want to bypass logical, everyday thinking in order to express the vast realms of experience - passions, obsessions, extremes of love, hate, hope, fear - that reason and rationality can't fully account for, much less tame or control Tansev et al.
Dali did this by painting hallucinatory visions and sporting a mustache that looks like a lethal weapon. Dreams were the nourishment of his films, and from his earliest days as a surrealist in Paris in his late 70s, dream logic was always likely to interrupt the realism of his films Bunuel, It was made in the hope of administering a revolutionary shock to society.
That was then, this is now. Today, its techniques have been so thoroughly absorbed even in the mainstream that its shock value is diluted. It is an ancestor of today's independent digital movies. In collaborating on the scenario, their method was to toss shocking images or events at one another.
Both had to agree before a shot was included in the film-"No idea or image that might lend itself to a rational explanation of any kind would be accepted," Bunuel remembered to open all doors to the irrational and keep only those images that surprised us, without trying to explain why Bunuel, The research design of this study is exploratory and qualitative in nature.
Research approach of this study is observation, specifically indirect-non disguised- structured-human observation. The film Un Chien Andalou is already determined to be observed with cinematographic aspects and Rasa Theory elements. Data collection process will be both primary observing the film and secondary related books, theories, online articles about the film, cinematography and Rasa Theory.
This study has used narrative analysis procedure to analyse all these data. These elements include, but are not limited to, how the story is structured, what functions the story serves, what is the substance of the story, and how the story is performed.
Then some mid shots of an aged man who is smoking and sharpening the razor. He goes to balcony with that razor and looks upon the sky- a moon, about to be engulfed by a thin cloud a close up.
Then cut to a close-up of a young woman Simone Mareuil being held by the man as he was sharpening the razor, also the event of engulfing moon and cutting eyes are similar in style as she calmly stares straight ahead. Another cut occurs to the moon being overcome by the cloud, then a cut to a close up of a hand slitting the eye of an animal with the razor, and the vitreous humor spills out from it. We see a tracking shot here following the bicycle.
A cut occurs to the young woman from the first scene whose eyes were stitched , who has been reading in a sparingly furnished upstairs apartment. She hears the young man approaching on his bicycle and casts aside the book she was reading. The image it shows a painting by Vermeer, whom Dali greatly admired and often referred to in his own paintings Finkelstein, She emerges from the building and attempts to revive the young man.
Later, the young woman assembles pieces of the young man's clothing on a bed in the upstairs room, and concentrates upon the clothing. The young man appears near the door. The young man and the young woman stare at his hand, which has a hole in the palm from which ants emerge. A slow transition occurs focusing on the armpit hair of the young woman as she lies on the beach and a sea urchin at a sandy location.
Hand with ants the armpit hair a sea urchin There is a cut to an androgynous young woman, with bobbed hair and dressed in rather masculine attire, in the street below the apartment.
She pokes at a severed human hand with her cane while surrounded by a large crowd and a policeman. The crowd clears when the policeman places the hand in the box previously carried by the young man and gives it to the young woman. The androgynous young woman contemplates something happily while standing in the middle of the now busy street clutching the box. She is then run over by a car and a few bystanders gather around her.
Majority of them were shot in high angle shots. The young man seems to take sadistic pleasure in the androgynous young woman's danger and subsequent death, and as he gestures at the shocked young woman in the room with him, he leers at her and grasps her breasts.
The young woman resists him at first, but then allows him to touch her as he imagines her nude from the front and the rear. The young woman pushes him away as he drifts off and she attempts to escape by running to the other side of the room. The young man chases after her, but she traps his hand, which is infested with ants, in the door. She finds the young man in the next room, dressed in his nun's garb in the bed. Another young man, whom we see only from behind, dressed in lighter clothing, arrives in the apartment, gesturing angrily at him.
The second young man forces the first one to throw away his nun's clothing and then makes him with his face to the wall, as if in disgrace. We have seen some slow motioned shots here a. This was done through changing shutter speed of camera.
The second young man, now in a meadow, dies while swiping at the back of a nude female figure which suddenly disappears into thin air. A group of men come and carry his corpse away. Here compositions of group shots were amazing. The young woman returns to the apartment and sees a death's-head moth. The first young man sneers at her as she retreats and wipes his mouth off his face with his hand.
The young woman very nervously applies some lipstick in response. Subsequently, the first young man makes the young woman's armpit hair attach itself to where his mouth would be on his face through gestures.
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